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Jamie Holdham

Preview Score Except.

Jamie Holdham

0:12	Est. Play Time
4	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2 Fag.	13	9	0	4	100%
3 FLOTEN.	8	0	0	6	100%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2 Fag.	13	9	0	4	100%
3 FLOTEN.	8	0	0	6	100%
3 HOBOEN.	8	0	0	6	100%
4 Hr. in F.	17	5	2	6	100%
B♭ Bass Clarinet (Bass Clef)	9	0	0	2	100%
B♭ Clarinet	11	4	2	6	100%
Englisch Horner.	10	0	2	5	100%
Kontrabasse.	8	0	0	1	88%
2 Pauken.	4	0	0	3	50%
Violoncello.	2	1	0	1	25%

Gustav Holst - Saturn. {Professional production full score.} Unfinished.

Jamie Holdham

2:40	Est. Play Time
109	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
3 BASSOONS	3	0	0	3	100%
3 Flutes	6	3	2	3	68%
View all 22 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
3 BASSOONS	3	0	0	3	100%
3 Flutes	6	3	2	3	68%
Bass Flute in G	3	0	0	3	68%
Harp I	0	0	0	0	0%
	4	2	1	2	65%
Harp II	0	0	0	0	0%
	2	0	0	2	65%
DOUBLEBASSES	12	4	3	6	54%
Violoncellos	9	0	3	5	48%
2 Tenor Trombones	12	1	5	6	39%
Bass Trombone and Tuba	2	0	0	5	15%
I II	6	0	4	5	15%
1st Violins	2	0	0	3	13%
2st Violins	2	0	0	3	13%
4 Trumpets in C	9	9	4	2	13%
Bass Oboe	4	0	0	4	13%
Violas	2	0	0	3	13%
Bass Clarinet in B♭	4	0	0	4	12%
3 CLARINETS in B♭	5	0	4	3	8%
III IV	2	1	1	2	8%
V VI	2	1	1	2	8%
3 OBOES	2	0	0	3	5%

Jeremy Soule-Holdham - Kyne's Peace. {From the Elder Scrolls V: Skyrim.} Unfinished.

Jamie Holdham

0:54	Est. Play Time
37	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass	6	0	0	4	100%
Contrabasses	6	0	0	4	100%
View all 6 Parts

	Unique Notes	Rhythmic Complexity	Percent Played
Bass	6	4	100%
Contrabasses	6	4	100%
Violoncello.	6	4	100%
BRATSCHEN.	4	4	63%
Harfen.	1	1	13%
	1	1	13%

Buxtehude - Praeludium in C major. {Professional production score.} Unfinished.

Jamie Holdham

0:08	Est. Play Time
153	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	16	1	3	100%
	8	0	3	100%
	3	0	2	67%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	16	1	3	100%
	8	0	3	100%
	3	0	2	67%

Bach - Jauchzet, frohlocket! {Professional production full score.} Unfinished.

Jamie Holdham

0:19	Est. Play Time
98	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Timpani.	2	0	0	4	77%
Fagotto, Organo e Continuo.	15	0	4	3	76%
View all 12 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Timpani.	2	0	4	77%
Fagotto, Organo e Continuo.	15	4	3	76%
Violino I.	20	5	3	69%
Violino II.	20	5	3	69%
Flauto traverso I.	8	2	5	62%
Flauto traverso II.	10	3	5	62%
Tromba I.	8	0	3	62%
Oboe I.	9	3	5	54%
Oboe II.	8	2	5	54%
Tromba II.	8	0	3	54%
Viola.	10	3	3	54%
Tromba III.	6	0	3	46%

Paganini - Sonata per la Grand Viola e Orchestra. {Professional production full score.} Unfinished.

Jamie Holdham

1:49	Est. Play Time
52	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Double Bass	10	0	3	4	76%
Viola	13	12	2	4	76%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Double Bass	10	0	3	4	76%
Viola	13	12	2	4	76%
Violin 1	21	7	5	4	76%
Violin 2	10	9	2	4	76%
Violoncello	11	0	3	4	76%
Timpani	2	0	0	2	64%
Bassoon	7	0	1	1	40%
Clarinetti in B♭	10	8	1	2	40%
Corni in C	4	2	0	2	36%
Vla.Solo	26	0	5	8	36%
Oboi	11	8	1	1	32%
Flauti	7	6	1	1	16%
Trumpet in C	2	1	0	1	12%
Trombones	6	3	1	1	8%

Richard Wagner - Ride of the Valkryies. Professional production full score. {Unfinished.}

Jamie Holdham

0:07	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I. Violinen. II.	10	0	0	2	80%
BRATSCHEN.	5	0	0	2	80%
View all 16 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
I. Violinen. II.	10	0	2	80%
BRATSCHEN.	5	0	2	80%
Violins	10	0	2	80%
Oboe	2	0	2	60%
	2	0	1	40%
3 Klarinetten in A.	2	0	2	60%
Englisch Horn.	2	0	2	60%
A Clarinet	2	0	2	40%
	2	0	1	40%
3 HOBOEN.	2	0	1	40%
BaBklarinette in A.	2	2	2	40%
Violoncelle.	5	0	2	40%
2 groBe Floten.	2	0	1	20%
2 kleine Floten.	2	0	1	20%
Flute	2	0	1	20%
Piccolo	2	0	1	20%

Wagner - Der Fleigende Hollander Overture to Akt 1. [Professional production full score.] [Unfinished.].

Jamie Holdham

0:10	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violini.	2	1	0	1	100%
Clarinetti I.II in B (A♭).	2	1	0	1	100%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violini.	2	1	0	1	100%
Clarinetti I.II in B (A♭).	2	1	0	1	100%
Flauti I.II.	2	1	0	1	100%
Viola.	2	1	0	1	100%
Violins	2	1	0	1	100%
Corni I.II in F (Fa).	3	0	0	3	85%
Corni III.IV in D (Re).	3	0	0	3	85%
Fagotti I.II.	4	0	0	4	85%
Oboi I.II.	2	1	0	2	71%
Trombe I.II in F (Fa).	2	1	0	2	43%
Contrabasso.	12	0	5	1	29%
Timpani in D u.A (Re La).	1	0	0	1	29%
Violoncello.	12	0	5	1	29%

Richard Wagner - ENDE.zu.DIE MIESTERSINGER in Full score.

Jamie Holdham

0:21	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasses	7	0	1	5	100%
Violas	8	1	1	5	100%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasses	7	0	1	5	100%
Violas	8	1	1	5	100%
Violoncellos	14	7	2	5	100%
Violins	4	0	0	5	83%
	4	0	0	5	83%
Bass	8	0	1	5	83%
Trombone	3	0	0	1	33%
	5	3	0	4	67%
Bassoon	1	0	0	2	50%
Horn in F	2	1	0	2	33%
	2	1	0	2	33%
C Trumpet	2	0	0	1	17%

Wagner - Gotterdammerung Vorspiel to Akt 1. {Professional production full score.}

Jamie Holdham

2:15	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	4	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
View all 27 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	4	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
2.u.3. (B.)	18	21	7	5	66%
12 BRATSCHEN.	17	0	4	5	57%
1. 3 gr.FLOTEN.	9	1	3	5	56%
2 Tenor. (B) 4 TUBEN.	7	2	3	4	53%
2.u.3.	12	10	4	5	48%
	8	6	1	5	52%
	6	0	2	4	33%
1. (B.) 3 CLARINETTEN.	17	0	5	3	52%
1 BASS- CLARINETTE. (B)	13	0	5	4	52%
3.u.4.	15	14	8	5	52%
2 Bass. (F.)	5	4	1	4	50%
3.	15	1	4	5	50%
1.u.2. 4 HORNER.	15	12	8	5	48%
ENGLISCHES HORN.	5	0	2	5	48%
Violins	24	0	9	5	48%
1. 3 TENOR-BASS- POSAUNEN.	7	4	1	4	47%
16 erste 32 VIOLINEN. 16 zweite	22	0	10	4	44%
1.u.2. 3 FAGOTTE.	5	2	2	4	44%
1 BASS-TROMPETE. (Es.)	13	0	5	5	44%
1. 3 HOBOEN.	4	0	0	4	41%
1 CONTRABASS- POSAUNE. (C)	4	0	0	4	33%
8 CONTRABASSE.	5	0	0	4	26%
1. (Es.) 3 TROMPETTEN.	3	0	3	4	22%
2.u.3. (Es.)	4	2	3	3	15%
Pauken.	2	0	1	1	7%

Wagner - A Faust Overture. [Professional production full score.] Unfinished.

Jamie Holdham

1:04	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasses	10	0	3	8	77%
Violas	15	0	5	7	69%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasses	10	0	3	8	77%
Violas	15	0	5	7	69%
Timpani	1	0	0	1	54%
Violoncellos	11	0	4	3	54%
Bassoon	9	4	4	2	53%
	5	0	1	2	46%
Violins	6	0	1	7	46%
	10	0	3	4	38%
B♭ Clarinet	2	0	0	5	33%
Flute	2	0	0	5	33%
Oboe	2	0	0	5	33%
Tuba	7	0	1	6	23%
Horn in D	2	1	0	2	15%
Horn in F	2	1	0	1	8%

Gotterdammerung Vorspiel to Akt 1. {Professional production full score.}

Jamie Holdham

2:20	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	5	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
View all 27 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	5	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
2.u.3. (B.)	18	21	7	5	66%
12 BRATSCHEN.	17	0	4	5	57%
1. 3 gr.FLOTEN.	9	1	3	5	56%
2 Tenor. (B) 4 TUBEN.	7	2	3	4	53%
2.u.3.	12	10	4	5	48%
	8	6	1	5	52%
	6	0	2	4	33%
1. (B.) 3 CLARINETTEN.	17	0	5	3	52%
1 BASS- CLARINETTE. (B)	13	0	5	4	52%
3.u.4.	15	14	8	5	52%
2 Bass. (F.)	5	4	1	4	50%
3.	15	1	4	5	50%
1.u.2. 4 HORNER.	15	12	8	5	48%
ENGLISCHES HORN.	5	0	2	5	48%
Violins	24	0	9	5	48%
1. 3 TENOR-BASS- POSAUNEN.	7	4	1	4	47%
16 erste 32 VIOLINEN. 16 zweite	22	0	10	4	44%
1.u.2. 3 FAGOTTE.	5	2	2	4	44%
1 BASS-TROMPETE. (Es.)	13	0	5	4	44%
1. 3 HOBOEN.	4	0	0	4	41%
1 CONTRABASS- POSAUNE. (C)	4	0	0	4	33%
8 CONTRABASSE.	5	0	0	4	26%
1. (Es.) 3 TROMPETTEN.	3	0	3	4	22%
2.u.3. (Es.)	4	2	3	3	15%
Pauken.	2	0	1	1	7%

Beethoven - Symphony No.5. Mvt.4. {Professional Production full score.} [Unfinished.]

Jamie Holdham

2:09	Est. Play Time
127	Measures
	2,186Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola.	22	22	7	10	99%
Fagotti.	23	26	8	10	96%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola.	22	22	7	10	99%
Fagotti.	23	26	8	10	96%
Violino II.	24	14	5	8	96%
Violino I.	30	13	8	8	96%
Violoncello.	25	1	6	9	91%
Oboi.	19	22	4	9	84%
Clarinetti in C.	16	19	3	8	83%
Corni in C.	10	13	1	8	81%
Basso.	24	0	5	8	80%
Flauti.	21	21	6	8	78%
Contrafagotto.	24	0	5	8	76%
Trombe in C.	9	10	0	8	74%
Trombone alto.	11	0	1	6	66%
Trombone basso.	12	0	1	6	66%
Trombone tenore.	10	0	0	6	66%
Timpani in C.G.	2	0	0	6	54%
Flauto piccolo.	13	0	1	7	48%

Richard Wagner - ENDE.zu.TANNHAUSER in Full score. {Unfinished.}

Jamie Holdham

0:10	Est. Play Time
75	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
II.	3	2	2	1	100%
	1	0	1	1	20%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
II.	3	2	2	1	100%
	1	0	1	1	20%
I. Viol.	1	0	0	1	100%
Br.	1	0	0	1	100%
W.	5	0	1	5	100%
Vcl.	1	0	0	2	60%
T.	2	0	1	2	40%
V.	2	0	1	2	40%
I. II. Fl.	1	0	0	1	20%
Vh. in F.	1	0	1	1	20%
Hob.	2	1	0	1	20%
K.B.	1	0	0	1	20%
kl.Fl.	1	0	0	1	20%
Klar. in B.	2	1	1	1	20%

Wagner - Tristan und Isolde Love Duet. Professional production full score. {Unfinished.}

Jamie Holdham

1:50	Est. Play Time
50	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
1. Halfte. Br. 2. Halfte.	23	0	10	6	71%
Horn in F	10	0	6	6	67%
View all 32 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
1. Halfte. Br. 2. Halfte.	23	10	6	71%
Horn in F	10	6	6	67%
in F.	7	3	6	62%
Fag.	12	6	4	55%
1 Br. (allein)	4	1	5	52%
2 I.VI.	6	2	5	50%
	4	1	5	48%
1. Halfte. Vcl. 2. Halfte.	3	1	3	48%
1 Vcl. (allein)	3	1	3	48%
2 II.VI.	4	1	5	43%
	4	1	5	43%
Viol.I. 2. Halfte.	4	1	5	43%
BaBkl. in B.	8	4	5	43%
in E.	8	3	5	43%
Viol.II. 2. Halfte.	3	1	5	43%
Violas	21	10	5	43%
Violoncellos	3	1	3	43%
in F. Hr. in E.	6	2	5	38%
Hob.	10	4	3	29%
Klar. in B.	8	4	6	29%
Bassoon	8	3	4	29%
I. Pos. II.III.	7	3	3	27%
Hrfe.	14	6	1	24%
	12	7	1	24%
Engl.H.	4	1	4	24%
I. II. K.B. III. IV.	3	1	4	14%
B♭ Clarinet	3	1	2	14%
Contrabasses	2	1	4	14%
Trombone	4	2	3	14%
I. Gr.Fl. II.III.	5	2	3	10%
Oboe	1	1	2	10%
Pk.	1	1	1	5%